J. M. Petersen | September 24, 2008
Call it what you will—networking, hobnobbing, rubbing elbows—it is a skill that everyone should know how to do, even choral singers.
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Kelsey Menehan | June 1, 2008
Marilyn Horne, one of America's most celebrated opera stars, decided to shine the spotlight on the next generation.
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Kelsey Menehan | April 29, 2008
Tenor Michael Lichtenauer describes his unlikely journey from a desk job in Kansas to a career as a professional singer with Chanticleer and then the Los Angeles Master Chorale—and the lessons he learned along the way.
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Chorus America Staff | March 1, 2007
Artistic leadership of a chorus is both an individual balancing act and a highly collaborative endeavor.
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Karen Deans | September 1, 2006
Cellists hang out with the other cellists, singers hang out with other singers, but conductors—who do they hang out with? Stephen Czarkowski and 31 other conductors hung out together for four days in May 2006 to share with each other, explore some of the great works in the choral-orchestral repertoire, and learn from some of the nation's finest choral conductors.
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Vance George | June 1, 2006
Vance George, former director of the San Francisco Symphony Chorus, reflects on a lifetime of musicmaking.
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Managing Time So You Have More of It
Douglas Patti | June 1, 2006
If your day is spent managing a chorus, then you know all too well how Murphy’s Law and the ongoing needs of your staff and board can exacerbate the ability to get your own work done.
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Alice Parker | December 1, 2005
Alice Parker, one of America's most beloved and respected composers, conductors, and educators in choral music, reflects on her long and productive life in music—one decade at a time.
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Heidi Waleson | April 1, 2004
Powerful early experiences set conductors on career paths with unusual twists and turns. Several conductors recount how they got their start.
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