Civic Engagement and Community Outreach have been used so interchangeably in our tagging that we propose using one tag: "Community Engagement" instead
Chorus America has announced the recipients of its 2020 awards program, recognizing a broad range of achievements in choral music, including artistic excellence, adventurous programming, innovative education programs, and lifetime service to the choral art.
*Also in this series:
Choruses and choral leaders who launched creative online participatory singing outlets to combat COVID-19.
Choral broadcasts sprouting up in the face of COVID-19.
The National Endowment for the Arts announced the recipients of its first round of 2020 grants, and Chorus America is honored to be the recipient of a $90,000 award. We are also excited to see many of our partners and choral organizations represented in the list of awarded grants, including:
American Composers Forum
Barbershop Harmony Society
Brooklyn Youth Chorus
Cathedral Choral Society
Chicago A Cappella
A panel discussion at the 2019 Conference capped off Chorus America’s inaugural “Voices of Change” program—an effort to foster more collaboration and inclusiveness in the Philadelphia-area choral community and provide leaders with education on diversity, equity, and inclusion (DEI). Now the time has come to identify insights from this cohort that are relevant to choruses elsewhere. What might choral leaders expect when venturing into DEI discussions and attempting to build new connections in their choral communities? Voices of Change participants, facilitator Nicole Robinson, and Chorus America staff reflect on what was gained over the course of the year, as well as seeds planted that will take continued work to nurture.
Alexander Lloyd Blake is a conductor, vocal arranger, singer, and music activist in Los Angeles, and directs Tonality, a choral ensemble founded in 2016 that solely focuses on themed concerts on social justice.
The Zamir Chorale of Boston is launching a new online resource intended to share the breadth and beauty of the repertoire that has been its specialty for 50 years. The chorale’s founder, Joshua Jacobson, explains why he believes choral music from Jewish traditions will be a welcome discovery for choruses of all kinds.
How can choruses explore music from cultures other than their own in a respectful way? Rollo Dilworth’s research provides a framework for thinking about cultural appropriation and its intersection with choral music.