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Composing/Commissioning

The Choral Arrangements of Gene Glickman: Part I

Chorus America Staff | September 1, 2006

Research Memorandum Series No. 190

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Topic: 
Repertoire, Research/Data, Composing/Commissioning

Mozart's 3 Settings of Regina Coeli

Chorus America Staff | June 2, 2006

American Choral Review 48.2

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Topic: 
Composing/Commissioning, History, Performance, Repertoire, Research/Data, Singers

The Choral Music of Healey Willan: Part III

Chorus America Staff | April 1, 2006

Research Memorandum Series No. 189

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Topic: 
Repertoire, Research/Data, Composing/Commissioning

Dvořák’s Svatá Ludmila: Genesis, Premiere and Aftermath

Chorus America Staff | January 1, 2006

American Choral Review 48.1

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Topic: 
Composing/Commissioning, History, Performance, Repertoire, Research/Data, Singers

Alice Parker: Reflections on a Life Lived in Song

Alice Parker | December 1, 2005

Alice Parker, one of America's most beloved and respected composers, conductors, and educators in choral music, reflects on her long and productive life in music—one decade at a time.

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Tags: 
Careers, Composing/Commissioning, Impact/Value, Profile

The Choral Music of Healey Willan: Part II

Chorus America Staff | September 1, 2005

Research Memorandum Series No. 188

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Topic: 
Repertoire, Research/Data, Composing/Commissioning

Tomorrow's Voices: A Composer In the Classroom

Katryn Conlin | September 1, 2005

Thanks to a residency program, one composer spends time with three high school choirs, creating new music, new singers, and audiences for the future.

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Tags: 
Children/Youth, Choral-Orchestral, Community Engagement, Composing/Commissioning, Education Programs, Impact/Value, Participation, Repertoire, Schools

Poetry and Text Setting in Brahms's Nanie

Chorus America Staff | June 1, 2005

American Choral Review 47.2

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Topic: 
History, Repertoire, Research/Data, Singers, Composing/Commissioning

The Choral Music of Healey Willan: Part I

Chorus America Staff | April 1, 2005

Research Memorandum Series No. 187

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Topic: 
Repertoire, Research/Data, Composing/Commissioning

Sacred Texts in a Secular World

A Word To Nonbelievers and Believers
Michael Steinberg | March 1, 2005

What should we do when a piece of music offends a whole group of people?

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Tags: 
Composing/Commissioning, Conducting, History, Repertoire

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