The Fall 2020 Chorus Survey collected data on the impact that COVID-19 continues to have on the choral field and how choruses are operating at this point in the pandemic. This report provides detailed information on the responses of professional choruses.
Spoiler Alert: If your only takeaway from this blog post is the title, you will have all you need to transform your organization radically and sustainably.
I get to spend all of my days speaking with leaders and members of arts organizations about their successes and struggles. As a result, I have seen an overwhelming pattern in small and midsize professional arts organizations that is plaguing the industry. I call that plague conventional success.
Last fall, Indiana University music professor, conductor, and composer Dominick DiOrio took a sabbatical to travel across the United States to observe a wide spectrum of professional vocal ensembles, from small to large and from nascent to established. After attending rehearsals and performances and meeting with artistic directors, executives, and singers, he was left with the sense that, at their core, these professional choruses have more in common with their community counterparts than he imagined.
Expanding its work around issues of equity and inclusion in classical music, the Sphinx Organization has launched EXIGENCE, a new professional vocal ensemble made up of singers of color. What were the impulses that led to the creation of EXIGENCE? Why is this development important to the choral field?
Each month, Chorus America profiles one of our members in our Meet A Member interview series. To mark the season of giving, we often change things up a little bit for December by speaking with Chorus America donors. This year, we spoke to Hussein Janmohamed and Joan Szymko, the two composers donating compositions for Chorus America’s 2018 Commission Consortiums.
A growing number of singers are knitting together careers by traveling from city to city to perform with professional choral ensembles. Here’s how this model works for them – and how it impacts the choral field.
More on navigating the process of finding, hiring, and working with soloists.
How to navigate the process of finding, hiring, and working with soloists.
For the members of C4: The Choral Composer/Conductor Collective, the answer is “everyone.” Here’s how this “team of maestros” navigates their various roles in the organization.
Gretchen Kuhrmann is the director of Choralis, a Northern Virginia-based chorus that will perform Bob Chilcott’s Requiem at the Chorus America conference on June 12. Chorus America asked her about the concert and her program to train and recruit young singers.