Repertoire

To choral singers, Handel's Messiah is as familiar—and as well loved—as their favorite pair of slippers. But what do we really know about this choral masterwork? Harvard music professor and historian Thomas Kelly talks to Chorus America about how this great oratorio came to be and why it captures our hearts like no other piece.

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An Interview with CASA Founder and Sing-Off Producer Deke Sharon

Choral music—especially a cappella choral music—is more popular than ever it seems. Chorus America sat down with Deke Sharon, founder of the Contemporary A Cappella Society (CASA) and a producer of NBC's The Sing-Off, to get the inside scoop behind the a cappella choral music movement and its current place in pop culture.

The All-Night Vigil doesn't last all night anymore, but doing what it takes to perform it well certainly can keep conductors and singers up nights. Here are five tips for conquering this masterpiece:

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Research Memorandum Series No. 198

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There is perhaps no more fitting metaphor for bridging discord than voices joined in harmony.

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Handel’s practice of borrowing from other composers allows us the opportunity to probe into the great composer’s style and creative thought processes. A number of scholars have shown without question that the majority of Handel’s borrowings transform his source materials into new creations entirely his own. But what does “entirely his own” really mean?

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Research Memorandum Series No. 197

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"Mò Li Hua" (Jasmine Flower) has been popular since the Qing Dynasty.

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So you thought you could count...that is, until you met the 7/8 and 5/4 time signatures. Honestly, why are those meters so troublesome?

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American Choral Review 52.1

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