A founder transition requires strong leadership from the board. Is your board ready?
Choral music—especially a cappella choral music—is more popular than ever it seems. Chorus America sat down with Deke Sharon, founder of the Contemporary A Cappella Society (CASA) and a producer of NBC's The Sing-Off, to get the inside scoop behind the a cappella choral music movement and its current place in pop culture.
No matter where your chorus is on the road toward artistic excellence, you can take steps to get better—a diverse sample of choruses tell their inspiring stories.
Adventuresome repertoire, distinctive voices, flexible organizations, and innovative productions have expanded the concept of what a professional chorus looks like today—here's what it takes to excel.
After more than a decade as chief executive of the Atlanta Symphony Orchestra, Allison Vulgamore took a sabbatical to travel to a prison in Morocco for boys. She shares her transformative experience of preparing them to sing in a concert without the benefit of a shared language.
Like oil on water, there's probably good reason for the conventional wisdom that solo singing and choral singing just don't mix. And yet, there are growing numbers of professional singers who are bridging both worlds and are building complete and joyful careers singing both solo and choral repertoire. In fact, for many, it is the choral part of their careers that is most gratifying to them.
We sat down with Conspirare founder and artistic director Craig Hella Johnson to get the inside scoop on how the group came to be and the magic behind their success.
Ten years after his death, a new book about conductor Elmer Iseler examines his legacy on choral music not just in Canada but throughout the choral music field.
Call it what you will—networking, hobnobbing, rubbing elbows—it is a skill that everyone should know how to do, even choral singers.
Marilyn Horne, one of America's most celebrated opera stars, decided to shine the spotlight on the next generation.