In the last decade of the 20th century, the composer Morten Lauridsen wrote a series of pieces while serving a residency for the Los Angeles Master Chorale that have had a lasting and international impact. This year the choral world celebrates the 20th anniversary of the largest of these milestones, Lux Aeterna. What has given the Lauridsen aesthetic its power to connect and attract? And why does it continue to move performers, composers, and listeners?
This month's 'Meet A Member' celebrates Music In Our Schools Month, which engages communities from around the country in promoting the benefits of high quality music education programs in schools.
Podcasts: They seem to be sprouting up everywhere these days. Similar to social media and the smartphone, the rise of podcasts—audio programs released as a series of episodes that you can subscribe to and download onto your device—has brought significant changes to the way we consume our media today. In 2013, Apple’s podcasts hit the one billion subscriber mark.
At 91, Kansas-born Kirke Mechem has often been called “the dean of American choral composers.” That does not mean he is slowing down, however.
A powerful piece based on the dying words of African-American men killed in police encounters is an opportunity to reflect on universal issues of love, loss, and our shared humanity.
When Shira Cion hunted down Kitka Women’s Vocal Ensemble in 1988, it was a different era. There were no websites with which small niche arts organizations could make themselves visible to the world.
The subtle details of Christopher Marshall's Elegy for a City Railyard require great time and effort to master, says Magen Solomon of San Francisco Choral Artists and the San Francisco Bach Choir, but the investment yields a richly evocative sensory experience that is absolutely worth it.
With the 2015 premiere of TURBINE, the Mendelssohn Club of Philadelphia helped celebrate a unique cultural landmark and its vital role in the history of the city.
SATB pieces do not always make for equally successful SSAA versions, notes Portland Symphonic Girlchoir founding artistic and executive director Roberta Q. Jackson, but she has found a gem in this David C. Dickau adaptation for women's voices.
Composer, conductor, and teacher Alice Parker is a living musical legend and a true champion of the power of the human voice. In a plenary conversation at the 2015 Chorus America Conference, Parker reflected on conducting and composing, her work with Robert Shaw, her involvement with Chorus America and the value of coming together to sing.