Committed to the expansion of repertoire for women's voice, Beth Willer was particulary struck by one flexible and enticing piece.
With Donald Skirvin's Alchemy, Karen P. Thomas found a piece that makes a strong impression on audiences and is both challenging and rewarding for singers.
In a commentary for Chorus America’s online feature Noteworthy, Donald Nally commends James MacMillan’s St. John Passion to choral music colleagues—despite its considerable challenges. Not only is its scale monumental, the oratorio may invite controversy.
Programming a modern St. John Passion invites controversy in a way that programming a historical setting such as Bach's does not. For Donald Nally, the musical and philosophical discussions raised by James MacMillan's St. John Passion made taking on the work an experience of growth for all involved.
“The phenomenon of a gay men’s chorus is a vital part of the musical fabric of our society. It is not a gimmick to draw a crowd. We have always just wanted to put on great concerts – and make a difference while doing it.”
"I want to catalyze an international community around our organization and expand the repertoire that we do."
For the members of C4: The Choral Composer/Conductor Collective, the answer is “everyone.” Here’s how this “team of maestros” navigates their various roles in the organization.
Riding the wave of a popular cultural phenomenon has enabled the Oratorio Society of Minnesota to unearth previously unperformed music and attract new audiences.
This issue of the American Choral Review looks at composer Zakaria Paliashvili's setting of Liturgy of St. John Chrysostom. Co-authors John A. Graham and Parker Jayne explore Paliashvili's Georgian influences and how his version fell into obscurity after the Russain Revolution.
Gershon’s vision as he begins his 14th season with the Master Chorale is to break down barriers in choral music and redefine the concert experience.