"I want to catalyze an international community around our organization and expand the repertoire that we do."
For the members of C4: The Choral Composer/Conductor Collective, the answer is “everyone.” Here’s how this “team of maestros” navigates their various roles in the organization.
Can’t breathe? Butterflies in your stomach? Afraid to open your mouth? Here are some strategies to combat Musical Performance Anxiety.
Gretchen Kuhrmann is the director of Choralis, a Northern Virginia-based chorus that will perform Bob Chilcott’s Requiem at the Chorus America conference on June 12. Chorus America asked her about the concert and her program to train and recruit young singers.
Experienced song leaders share what they've learned about the special magic of bringing together a group of ordinary people in song.
It’s a question many singers ask themselves, especially right before their chorus audition. What are conductors really looking for? Is it perfection?
Research Memorandum Series No. 204
This article is a companion to Research Memorandum Series No. 202 and 203, also providing insight into the work of David Hamilton, a prolific composer and music educator from New Zealand.
As a young girl, Abbie Betinis noticed that singing “Caroling, Caroling” during the holidays always brought tears to her grandpa’s eyes. Later she would learn that the famous carol was one of many composed by her great uncle Alfred Burt, who was carrying on a family tradition of carol writing begun by his father, the Rev. Bates Burt. In 2001, Betinis, by then a composer herself, decided to pick up the family carol writing tradition.
More past Fellows speak about the impact of their Masterclass experience.
Over the years, many talented conductors have participated in Chorus America’s Masterclasses. The Voice asked past Fellows to share where they are now, and how their Masterclass experience has shaped their different professional paths.