This final issue before the American Choral Review transfers to a new home at the National Collegiate Choral Organization features a study of Bach’s use of rhetorical devices in Cantata Ich hatte viel Bekummnernis, BWV 21 and an interview with two singers from the ensemble New York Polyphony.
This edition of the American Choral Review focuses on the discipline and practice of conducting.
Cincinnati May Festival Celebrates 150th AnniversaryEduardo Coyotzi... | May 4, 2023
The Problem and Potential of “The Star-Spangled Banner”Mark Clague | September 9, 2022
Drawing on his new book O Say Can You Hear?: A Cultural Biography of “The Star-Spangled Banner,” musicologist Mark Clague offers a historical perspective to help us make sense of today’s complexities surrounding the American national anthem, and how choruses might approach it.
A Conference We’ll Remember: Reconnecting at the 2022 Chorus America ConferenceEduardo Coyotzi... | September 8, 2022
The 2022 Conference In-Person Event in Baltimore, MD, marked the long-awaited return of in-person Conference activities for Chorus America. For two years, COVID-19 forced the flagship annual gathering to shift to an online alternative, but on June 15-17, 2022, the Chorus America community reunited once again for inspiring plenary sessions, uplifting performances, special celebratory events, and more.
SPONSORED STORY FROM A CHORUS AMERICA PARTNER
The Hartford Chorale has a lot to celebrate this spring. Part of the fabric of the Hartford community for 50 years, the chorale has established a reputation for excellence throughout southern New England and beyond. The organization takes great pride in its rich history and tradition of performing symphonic-scale, choral-orchestral repertoire at a high standard of artistry. A bedrock of dedicated volunteer singers and savvy board members, together with dynamic artistic leaders and a small fellowship of resourceful paid administrators, have keyed the organization’s longevity, achievements, and evolution.
Commemorating the 19th Amendment: Singing about Suffrage and Exploring IntersectionalityJennifer Weyman | October 30, 2020
“Awake! Awake! Ye sisters all,” is the opening line to the “Suffrage Marching Song,” by Fanny Connable and Florence Livingston Lent, composed in 1914 to benefit the Equal Suffrage Cause. Like many political movements, the suffrage movement was inherently linked with music, making the 2020 centennial of the 19th Amendment’s ratification a natural programmatic theme. Choruses across the U.S. are honoring this anniversary with new events and commissions featuring women’s voices, including premieres happening this weekend.
(NANM board members in 1941, Foster Memorial Hall, Pittsburgh. Pictured are Blanche K. Thompson, Josephine Inness, Henry L. Grant, Mary Cardwell Dawson, Clarence Hayden Wilson, and Florence B. Price. Photo credit: Carnegie Museum of Art, Charles "Teenie" Harris Archive)
The Zamir Chorale of Boston is launching a new online resource intended to share the breadth and beauty of the repertoire that has been its specialty for 50 years. The chorale’s founder, Joshua Jacobson, explains why he believes choral music from Jewish traditions will be a welcome discovery for choruses of all kinds.