Anne Sears, director of external affairs at Westminster Choir College of Rider University, tells Chorus America's president & CEO Ann Meier Baker about a special audience participation project during this year’s choir tour.
Shining the spotlight on VocalEssence and its remarkable education outreach program serving thousands of students in and around the Twin Cities.
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Composer Gabriela Lena Frank explores the evolving relationship with her audience, beginning with her doting parents.
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Examples of concert programming that are designed on themes of peace or reconciliation. Partner piece to "How Choruses Have Become Ambassadors of Peace."
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What is our responsibility as singers and as choruses when historic choral works are offensive, even hostile, to a whole group of people? Tom Hall, music director of the Baltimore Choral Arts Society, discusses Bach's St. Matthew Passion and St. John Passion.
We take a look at the man behind the cluster chords: how Eric Whitacre arrived at a life in music, and the ups and downs he's encountered along the way.
One conductor witnesses the restorative power of music in her chorus at Washington, DC's N Street Village shelter.
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Choral music—especially a cappella choral music—is more popular than ever it seems. Chorus America sat down with Deke Sharon, founder of the Contemporary A Cappella Society (CASA) and a producer of NBC's The Sing-Off, to get the inside scoop behind the a cappella choral music movement and its current place in pop culture.
There is perhaps no more fitting metaphor for bridging discord than voices joined in harmony.
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Unraveling the mystery of music's profound impact on the human brain.
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