After performing the Brahms Requiem as the centerpiece of Chorus America’s Robert Shaw Centenary Symposium in mid-April, the Atlanta Symphony Orchestra and Chorus brought the work to New York for a special performance at Carnegie Hall. Music journalist Matthew Sigman attended the New York performance—which also included Jonathan Leshnoff’s newly-commissioned work Zohar—and reflects on his experience hearing the masterpiece for the first time.
The Brahms Requiem served as the artistic focal point of Chorus America’s Robert Shaw Centenary Symposium, which centered around the Atlanta Symphony Orchestra and Chorus’s April 2016 performance of this masterwork. Symposium faculty shared their thoughts on issues conductors ought to address as they prepare the piece.
L. Brett Scott has touched many sides of the choral world in his career so far, and it figures that plenty more is in store. “My association has gone from a symphonic chorus, to research, to a community choir, and now includes a larger choral-orchestral ensemble again,” he says.
Three funders share their do’s and don’ts for successful grant applications.
Hiring your chorus’s first employee is an important step. Here’s how to make sure you get it right.
How does a chorus's legacy continue after its visionary founder is no longer around? It takes the will of a community.
Choral music has a unique power to touch hearts and souls – but how can choruses leverage that power to impact their communities? These four stories provide some answers.
In preparation for publishing a series of community engagement case studies, we asked our members to share their own experiences with community engagement. The responses we received represent choruses of many types and sizes, from all over North America. They show the many different ways choruses are leveraging the power of choral music to impact their communities.
A powerful piece based on the dying words of African-American men killed in police encounters is an opportunity to reflect on universal issues of love, loss, and our shared humanity.
What does it take to get to Carnegie Hall? Or to a memorable choral performance? Everyone knows the answer. But many are the music scores that sit unattended in car trunks between rehearsals. And many are the frustrated choral conductors who wish their singers would put in the time that the music deserves.
When Shira Cion hunted down Kitka Women’s Vocal Ensemble in 1988, it was a different era. There were no websites with which small niche arts organizations could make themselves visible to the world.
The people who would love to come to your next concert are out there. But it will require more than just more advertising or deeper discounts to find them and bring them into the fold. Arts consultant Matt Lehrman explains.