In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. With in-person performances and rehearsals abruptly taken away, dozens of choral organizations showed their creativity by quickly finding new ways to make music and serve their communities.
SPONSORED CONTENT FROM A CHORUS AMERICA PARTNER
There can be serendipity in the most challenging change of plans. The Master Chorale of South Florida was scheduled for a prime performance at the 2020 Chorus America Conference in Miami -- an ideal setting to premiere a commission from composer Jake Runestad. With a global coronavirus pandemic putting a halt to choral events and most of everyday life as we know it, this performance obviously did not come to fruition.
Instead, the Master Chorale and artistic director Brett Karlin discovered they possesed a brand new work that spoke with uncanny eloquence to our new reality -- and the opportunity to premiere it with the involvement of a wider community of audience members, renowned conductors, and singers than they ever imagined. Karlin and Runestad shared their stories with Chorus America on the journey of this new commission, As Long As We Are Here, which enters a new chapter this fall.
In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. Among countless affected performances during the onset of the coronavirus pandemic were eagerly anticipated world premieres—works such as Damien Geter’s African American Requiem with Portland, Oregon’s Resonance Ensemble (for more, see Secular Requiems) that explore timely and meaningful topics and involve collaborations, often spanning long periods, distances, or both. We asked several choruses about their premieres that were put on hold and their developing plans to find a way to share these new pieces of music with the world.
Slowly and cautiously - and with great hope - corners of the choral community are beginning to explore possibilities of in-person singing, adapting to take precautions as COVID-19 concerns remain. The summer appears to have allowed the field some room to plan and experiment, with a few projects airing this weekend. True to choral form, these ventures display an abundance of creativity and represent a broad range of ideas!
SPONSORED CONTENT FROM A CHORUS AMERICA PARTNER
In the upcoming season, The Washington Chorus (TWC) looks not only to meet the challenge of planning in a world dealing with COVID-19, but to do so while welcoming a new incoming artistic director. Eugene Rogers, who takes the artistic helm of TWC while continuing in his role as director of choral activities at the University of Michigan, shared his thoughts with Chorus America on the unique challenges and opportunities ahead for him, his new ensemble, and the choral community.
Chorus America is excited to be a community partner of a newly-launched initiative, The Choral Commons, founded by University of San Diego director of choral studies Emilie Amrein and Boston University professor of music André de Quadros.
In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. This section spotlights composers who have risen to the moment by creating new work in direct response to the pandemic, some in unique fashions.
Several choral music organizations find themselves seeking or transitioning to new artistic leaders at a time when shifting circumstances call on them to consider challenging new directions, not the least of which is the COVID-19 pandemic. In light of these challenges, what are choruses in transition thinking about the kind of leadership they need? How do they manage to find it? How will they and their new artistic directors define and achieve success next season, not to mention seasons beyond?
Nina Simon’s work as an author, change leader, and activist is all about creating more open, generous, community-focused organizations. She is the founder and CEO of OF/BY/FOR ALL, a nonprofit organization that provides tools to help civic and cultural organizations matter more to more people. Today, over 50 organizations are using the OF/BY/FOR ALL framework to build relationships, relevance, and impact in their communities.
A Letter from Catherine Dehoney
President and CEO, Chorus America
Our community was hit very hard by the information in a webinar presented by Chorus America and some of our colleague organizations on Tuesday, “What Do Science and Data Say about the Near Term Future of Singing.” We’ve heard and read your reactions expressing strong emotions: grief, disbelief, anger, and—in some cases—steely determination to find a way forward. We share those emotions too.