Chloe Veltman | October 1, 2011
The anatomy of choral intonation and techniques for improving it.
Apologies, but you don't have permission to view this page.
Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.
If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.
Grant Gershon | August 11, 2011
An a cappella masterpiece of staggering beauty and power, Rachmaninoff's All-Night Vigil (or Vespers) presents many challenges for the choral singer. Grant Gershon, music director of the Los Angeles Master Chorale, chose the piece to open his 10th Anniversary season with LAMC. We talked with him about the work and how he prepared his singers to perform it.
Apologies, but you don't have permission to view this page.
Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.
If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.
Trends in Arts Audience Behaviors
Alan Brown | March 1, 2011
Drawing on a wide range of arts industry research and his own observations about the larger environment in which arts groups operate, Alan Brown shares six interrelated macro trends affecting audience behaviors and demand for arts programming.
Apologies, but you don't have permission to view this page.
Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.
If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.
Cory Davis | December 23, 2010
Is a chorus still a chorus if the singers are singing from their computers?
Apologies, but you don't have permission to view this page.
Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.
If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.
Emily Hedrick | December 22, 2010
One singer fights the holiday doldrums by traveling to London for a choral Christmas marathon.
Apologies, but you don't have permission to view this page.
Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.
If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.
Tom Kelly | December 16, 2010
To choral singers, Handel's Messiah is as familiar—and as well loved—as their favorite pair of slippers. But what do we really know about this choral masterwork? Harvard music professor and historian Thomas Kelly talks to Chorus America about how this great oratorio came to be and why it captures our hearts like no other piece.
Apologies, but you don't have permission to view this page.
Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.
If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.