If you’ve been on the internet during the past month, you’ve probably seen the quirky viral video of a chorus and orchestra covering the popular, can’t-get-it-out-of-your head song “Call Me Maybe” by Carly Rae Jepsen. There are hundreds of other videos online covering the song, ranging from topics like NFL replacement referees to the United States Olympic swim team, so what makes this one so special? With more than two million hits and counting on YouTube, mentions in newspapers around the country, and even a featured performance on the Today Show, who knew choral music could go so viral?
Research Memorandum Series No. 201.
This issue provides insight into the music of Stephen Chatman, internationally known Canadian composer and teacher. Graeme Langager gives us a complete listing of Chatman's published and unpublished choral compositions.
A renowned composer and choral artist discuss the challenges of choosing and setting texts—what every composer, conductor, and chorus seeking to commission a new choral work should know.
Choral conductor and composer/arranger Roland Carter has a passion for finding and performing the rich array of choral music from the African American tradition. While at the 2012 Chorus America Conference in Minneapolis, Chorus America talked with Carter about his life and work.
How chorus leaders can use the principles of organizational culture to implement change and get the best results for their organizations
Today's radio programmers are moving past the bad rap of early research and experimenting with a richer mix of choral and vocal music.
A journey through the history of Jewish liturgical music alters a chorus’s path to the future.
From the sweet lyricism of Fauré to the populism of Brahms to the theatricality of Verdi, requiems remain the favorites of singers, conductors, and audiences alike. We talked with Kathy FitzGibbon, director of choral activities at Lewis and Clark College and head of faculty at the Berkshire Choral Festival, about the enduring appeal of requiems and the modern interpretations they have spawned.
To commission and premiere a new piece of music can garner a chorus and a composer media attention, industry recognition, and a concert hall full of audience members. We explore the strategies that choruses have employed to keep their programming fresh and their commissioned works evergreen.