Refers to articles that deal with working with volunteers in a management capacity or with issues specific to volunteer singers
What does it take to get to Carnegie Hall? Or to a memorable choral performance? Everyone knows the answer. But many are the music scores that sit unattended in car trunks between rehearsals. And many are the frustrated choral conductors who wish their singers would put in the time that the music deserves.
From chorus manager to member of a board of managers, Gretchen Upholt has a lot of choral and nonprofit experience. It all comes into play in her work with the New York Choral Society.
Looking for a soloist for your next performance? Try giving your chorus members a chance to shine in solo roles.
“The phenomenon of a gay men’s chorus is a vital part of the musical fabric of our society. It is not a gimmick to draw a crowd. We have always just wanted to put on great concerts – and make a difference while doing it.”
Midcoast Community Chorus of Rockport, Maine was founded on the belief that everyone has a voice that deserves to be heard and that powerful things happen when we sing together in community. The group’s founder and artistic director Mimi Bornstein talks about the impact of that vision in the community.
Riding the wave of a popular cultural phenomenon has enabled the Oratorio Society of Minnesota to unearth previously unperformed music and attract new audiences.
Being appointed to chair a committee is the easy part. This practical advice, tested in the real world, will help ensure success.
A shared passion for singing led Ben Olinsky and his friends to create the 18th Street Singers, a Washington DC-based volunteer ensemble. Over the past nine years, the group has changed in size and membership, but the goal has remained the same: to make choral music more accessible to a new generation of audiences.
A singer discovers that while life can be hard, singing is heartening. And singing with other people, in particular. Excerpted from Imperfect Harmony: Finding Happiness Singing With Others by Stacy Horn.
When Melinda Pollack-Harris was diagnosed with breast cancer in 2004, she needed music to face the challenge. That was the inspiration for Sing to Live Community Chorus for women, loved ones, and friends touched by cancer.
